Jul 3, 2023 To be honest, I like his flow and delivery on this snippet. It's not Godzilla type of thing when he just tries to "blahblahblahblahblahblahblah" as fast as he can. Looks like it is a structured verse/segment that he had a vision of and pulled it off. But you never know with Eminem. It also could be an unnecessary ending of a good verse, or a part that was placed in the middle.
Jul 3, 2023 Shouldn’t be hard, but he will sell like 75% less if he leaves Shady dude has to eat (until they drop him)
Jul 3, 2023 the problem here is that most of Grip fans only give a f--- about him because of Em. If he leaves, he will do 200 copies first week including family and friends. Dude can’t even go visit Gustavo with those numbers lol
Jul 3, 2023 Ye for sure lmao that's very true. Its weird they don't just give them each a huge pop record to really blow up. But it's probably some "I don't wanna be a sell out" bs lol,
Jul 3, 2023 His verse on Walktrough is still dope as s--- though. Its not all over the place like some others including that snippet. Homicide came on shuffle and its so frustrating that he starts out well but then goes into technical s---, exactly like parables
Jul 3, 2023 That’s why Obie and D12 were perfect. 50 also. SR needs someone with some personality and a real chance of blowing up.
Jul 3, 2023 Effigy may have been a bit too opulent: The studio struggled for business before it was swooped up in 2007 by Eminem, after his stints at nearby 54 Sound and F.B.T. Studios. Heʼs since recorded several albums there (including last yearʼs “The Marshall Mathers LP 2”) and related projects such as Slaughterhouse, Bad Meets Evil and 50 Cent. Studio technician Norman Druce, who worked at Effigy in its early years, says the rapper rebuilt the control room, adding several earthshaking 18-inch, 1,000-watt subwoofers. Eminem engineer Mike Strange talked about Effigy in a 2010 interview. “Our main focus in getting the new studio was in creating a recording facility that was similar to other rooms Em had worked in and in which he is comfortable,” he told Sound On Sound magazine. “Weʼve developed a certain workflow over the years that means that we can move through the material very quickly, and in which the recording process has become almost invisible.”
