Kanye West Yeezy Season 1 & 2 - Beige "Oxford" tan 350s on 29th of december

Started by gorealsteady, Sep 16, 2015, in Kanye West Add to Reading List

  1. A R T
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    Sep 16, 2015
     
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  2. A R T
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    Sep 16, 2015
     
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  3. A R T
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    Sep 16, 2015
    savage
     
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  4. gorealsteady
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    gorealsteady heal & create

    Sep 16, 2015
    I also posted that one lol.. did you find your 'mancrush' on the instagram pic on page 1 yet? I even specifically tagged you :P
     
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  5. A R T
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    Sep 16, 2015
    oh s--- lmao
     
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  6. gorealsteady
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    gorealsteady heal & create

    Sep 16, 2015
    So to clarify for anyone who doesn't yet understand why this show looks similar to his previous (i didn't either):

    They are part of a ONE year collection, this is normal in fashion.

    This show is a Spring / Summer collection for 2016. Yeezy Season 1 was designed for the upcoming Fall / Winter seasons.
     
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  7. A R T
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    Sep 16, 2015
     
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  8. gorealsteady
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    gorealsteady heal & create

    Sep 16, 2015
     
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  9. gorealsteady
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    Sep 17, 2015


    "I want to demonstrate that i can learn and follow the rules of fashion so that i can work with amazing people. I wanna work with the highest level of people in fashion"
     
    Last edited: Sep 17, 2015
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  10. gorealsteady
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    gorealsteady heal & create

    Sep 17, 2015
    THIS IS SO MUCH FIREEE! YEEZYYYYYYYYYYYY SEASONNNNNNNNNNNNNNN BIAAAAATCH!
     
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  11. gorealsteady
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    gorealsteady heal & create

    Sep 17, 2015
    [​IMG]
    Come on fam ! :whew:
     
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  12. gorealsteady
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    Sep 17, 2015
    An up close look at Kanye's Yeezy Season 2 Collection covered by complex (http://uk.complex.com/style/2015/09/a-closer-look-at-yeezy-season-2-collection)

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    SOOOOO.... nice models, pictures and clothes huh? :yelas:
     
    Last edited: Sep 17, 2015
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  13. gorealsteady
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    gorealsteady heal & create

    Sep 17, 2015


    [​IMG]
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    Kanye and Consequence cool again.. the kids being cute... i'm tearing up fam. :hovcry:
     
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  14. gorealsteady
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    First review i found! NYmag.com:

    "This second round of drab, broken-down basics proved he can’t be taken seriously as a designer, but nevertheless many people in fashion do seem to take West seriously — they keep showing up expectantly for his performances — and that makes themfools. Because they wouldn’t bother with this stuff if it were offered by an unknown, and if it’s the spectacle they seek, it changes as little as the clothes."

    OH SNAP! :gotwtf:

    Full text is in the spoiler beneath:
    “Left, right! Left, right!” Those models exited and another batch came out, now dressed in woebegone fatigue jackets and pants, and, I might add, looking rather downcast. They made me think of POWs. The military conceit was apt, given the mind-lock that Kanye has managed to put on the fashion world. This second round of drab, broken-down basics proved he can’t be taken seriously as a designer, but nevertheless many people in fashion do seem to take West seriously — they keep showing up expectantly for his performances — and that makes themfools. Because they wouldn’t bother with this stuff if it were offered by an unknown, and if it’s the spectacle they seek, it changes as little as the clothes.

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    In their DKNY debut, Maxwell Osborne and Dao-Yi Chow focused (too much) on the pinstriped office suit of yore, deconstructing it — and apparently ignoring the fact that the style is a bit threadbare. Photo: Imaxtree
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    Later, we trooped down to the World Trade Center — actually, into a pedestrian tunnel near the PATH station — for the DKNY debut of designers Maxwell Osborne and Dao-Yi Chow. In the decades since Donna Karan spun off DKNY from her main label in 1989, many labels have eaten into the trendy, moderate-priced space it opened, not least Zara and Vince. Chow and Osborne focused (too much) on the pinstriped office suit of yore, deconstructing it — and apparently ignoring the fact that the style is a bit threadbare. Piece by piece, there were some good looks in the show, but it was mostly one-note, comparable to ordering a dozen boxes of Girl Scout cookies and winding up, somehow, with only Thin Mints.

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    For Michael Kors, this was a more moody collection than his usual sunshine and pop-music blast. Photo: Imaxtree
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    One of Fashion Week’s big trends is clothes that appear to be sliding off the body — low-slung, liquid-looking trousers, shirts, and dresses open at the shoulders and suspended by straps, and, as Michael Kors said in his show notes, “slashed skirts that catch the wind.” For Kors, this was a more moody collection than his usual sunshine and pop-music blast. The show opener was a minimalist black canvas coat covered in crushed silk flowers. Poet blouses in black or white georgette were beautiful, as were soft tiered dresses, pleated skirts sliced into strips, and a great-looking black gabardine blazer, stripped of lapels, worn with slouchy black pants (the ultimate pantsuit, if you’re in the market). But I kind of missed sunny Kors.

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    Proenza Schouler's collection was more polished than fall’s, the shapes more feminine and enticing and, I suspect, easier to wear. Photo: Imaxtree
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    It fell to Jack McCollough and Lazaro Hernandez of Proenza Schouler to right the day, and bring on some actual fashion. This collection, an evolution of their slashed skirts for fall, also affected a loose attitude, with dresses falling off shoulders and bright-white jackets tied with wide black velvet ribbons. But McCollough and Hernandez did the style with considerably more finesse, or intention, than other designers.

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    Backstage, the Proenza designers said they didn’t want to use stiff or bonded fabrics, or leather. For a long while, those materials had been a Proenza staple — and a barrier to appreciating their clothes. But recently they went back over every collection, every outfit, mainly as an exercise to understand their own strengths.

    It paid off. This collection was more polished than fall’s, the shapes more feminine and enticing and, I suspect, easier to wear.

    The standout looks were viscose knit dresses in either white or black that spilled over the body and, at first glance, looked like cotton eyelet. Somewhat similar in shape was a narrow, tiered dress in white crepe piped in black, and a lovely two-piece silk-crepe dress with a draped, asymmetrical skirt, both in a smudgy red flower print on black. The wide hem of the jacket was a black-and-white polka dot. The silhouette looked fresh, and the eye kept alighting on visual treats, like the silver ball heels of the pointy mules and the way the relatively narrow range of materials enhanced the cut of the clothes, and vice-versa.

    http://nymag.com/thecut/2015/09/cat...kny-proenza-michael-kors.html?mid=twitter_cut
     
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  15. Immy
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    Sep 17, 2015
    Wish he released new proper Yeezy's
     
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  16. gorealsteady
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    Sep 17, 2015
     
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  17. A R T
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    Sep 17, 2015
    I liked Season 1 better but there are lots of things i like about this one too
     
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  18. gorealsteady
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    gorealsteady heal & create

    Sep 17, 2015
    You liked the winter clothing more? Okay, why?
     
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  19. A R T
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    mainly the colors. Thought it was way more pleasant on the eyes.
     
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  20. gorealsteady
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    gorealsteady heal & create

    Sep 17, 2015
    I'm not sure but can the color still change? If not so i would have to agree on 'easyness' of the color..

    i think the whole sand/jedi look is soo dope tbh
     
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